TRANSMEDIAL Exhibition 2021
Encoding Material Culture 2021
Santiago R. Pérez. “Encoding Material Culture.” In Proceedings of the Society of Architectural Historians Australia and New Zealand: 37, What If? What Next? Speculations on History’s Futures, 2021. Material Research in progress, using robotic paper pulp extrusion, robotic plaster patterning, and similar workflows.
Encoding Material Culture 2021
Santiago R. Pérez. “Encoding Material Culture.” In Proceedings of the Society of Architectural Historians Australia and New Zealand: 37, What If? What Next? Speculations on History’s Futures, 2021. Material Research in progress, using robotic paper pulp extrusion, robotic plaster patterning, and similar workflows.
Modular Kinetic Assemblies 2020
Final Installation of work by students in the Active Matter 2020 option unit at UWA, Perth. The work examines responsive kinetic material assemblies, triggered by the proximity of the body. Each project combines material research with sensor-controlled material actuation, to
Modular Kinetic Assemblies 2020
Final Installation of work by students in the Active Matter 2020 option unit at UWA, Perth. The work examines responsive kinetic material assemblies, triggered by the proximity of the body. Each project combines material research with sensor-controlled material actuation, to
TEDxUWASalon: Art+ 2019
Invited to give a talk at the Lawrence Wilson Art Gallery in Perth, Western Australia. Invited speakers at the TEDxUWA Salon ART+ series included an Artist, a Creative Writer, a Calligrapher, and me (Designer, Maker). The event was held on
TEDxUWASalon: Art+ 2019
Invited to give a talk at the Lawrence Wilson Art Gallery in Perth, Western Australia. Invited speakers at the TEDxUWA Salon ART+ series included an Artist, a Creative Writer, a Calligrapher, and me (Designer, Maker). The event was held on
POSTDIGITAL MATTER(s) 2018
This work is research in progress, examining the “Loss of Control” in drawing and architecture. The era of the “PostDigital,” is characterized by the collapse of distinctions between the “newness” of the digital (now banal and ubiquitous), aspiring to create revolutionary tools
POSTDIGITAL MATTER(s) 2018
This work is research in progress, examining the “Loss of Control” in drawing and architecture. The era of the “PostDigital,” is characterized by the collapse of distinctions between the “newness” of the digital (now banal and ubiquitous), aspiring to create revolutionary tools
BIG OMAHA INSTALLATION 2017
BIG OMAHA TECHNOLOGY CONFERENCE INSTALLATION 2017
Omaha, Nebraska
BIG OMAHA INSTALLATION 2017
BIG OMAHA TECHNOLOGY CONFERENCE INSTALLATION 2017
Omaha, Nebraska
Alicante 2016
Alicante, Spain invited workshop titled ELASTIC BOUNDARIES, in 2016.
Alicante 2016
Alicante, Spain invited workshop titled ELASTIC BOUNDARIES, in 2016.
Projective Constructions at UNL 2017
ARCH 411 INTEGRATE Studio at UNL Lincoln, Nebraska in 2017.
Projective Constructions at UNL 2017
ARCH 411 INTEGRATE Studio at UNL Lincoln, Nebraska in 2017.
CRYSTAL BRIDGES PAVILION UPDATE
Link to the University of Arkansas Video of the project: https://youtu.be/htwiuFWbDvM It has been over a year since the public opening of the Bachman Wilson House, originally designed by Frank Lloyd Wright, and relocated from New Jersey to the museum grounds.
CRYSTAL BRIDGES PAVILION UPDATE
Link to the University of Arkansas Video of the project: https://youtu.be/htwiuFWbDvM It has been over a year since the public opening of the Bachman Wilson House, originally designed by Frank Lloyd Wright, and relocated from New Jersey to the museum grounds.
ROBOTIC FABRICATION BIKE TRAIL PAVILION
The FAYETTEVILLE BIKE TRAIL ROBOTICALLY FABRICATED PAVILION demonstrates the first project produced using a 6-Axis Robot Arm, at the Fay Jones School of Architecture in the Spring 2015 semester. The project is the result of an intensive design, fabrication
ROBOTIC FABRICATION BIKE TRAIL PAVILION
The FAYETTEVILLE BIKE TRAIL ROBOTICALLY FABRICATED PAVILION demonstrates the first project produced using a 6-Axis Robot Arm, at the Fay Jones School of Architecture in the Spring 2015 semester. The project is the result of an intensive design, fabrication